![]() After meeting the Japanese artist at his studio in Tokyo, West commissioned Murakami to design the cover for his seminal album Graduation in 2007. Kanye West has been one of Murakami's most loyal celebrity fans over the years. As Marc Jacobs said himself in 2009, this collection was and is "the ultimate crossover - one for the fashion and art history books" and represents the way that art world and fashion world can often collide. Murakami's intervention at Louis Vuitton was an immediate success, and the bags and accessories with his designs are now highly covetable on the resale market, with some larger Panda luggage pieces fetching over £30k. The Louis Vuitton Panda, in particular, was plastered over classic monogram leather goods and made them playful. This innovation of the classic design saw the LV monogram filled with 33 different colours, and instantly became the must have arm candy of naughties fashion icons like Naomi Campbell and Paris Hilton.īy 2004, Murakami was designing special characters to live on the surface of Louis Vuitton's accessories. Murakami began this collaboration by re-imagining the iconic Louis Vuitton monogram with his Monogram Multicolore collection in 2003. Under his creative directorship of Louis Vuitton, Jacobs chose Murakami to help him rejuvenate the designer's branding for the millennium. Nowadays Kaikai Kiki co ltd spans across Tokyo, New York, and LA, with large workshops and studio spaces providing a breeding ground for Japanese art to thrive.įamous for his fun and innovative approach to fashion, Marc Jacobs enlisted the help of Takashi Murakami back in 2002. Originally founded in Tokyo, this collective was established to support radical contemporary art and rising artists in Japan. So important were this duo that Murakami created and named his groundbreaking artist collective, Kaikai Kiki co ltd, after them. The straddling of these anime inspired characters with the qualities of Kanô and traditional Japanese culture made Kaikai Kiki one of Murakami's most repeated icons. Within the ears of these cutesy characters are their names in Japanese lettering. This Japanese artist was described as being both "powerful and sensitive", qualities which Murakami tried to emulate in his designs for Kaikai and Kiki. Their names form the expression "kaikaikiki", which was used in the 16th century to describe the traditional Japanese painting of Eitoku Kanô. It would seem Murakami has not only discovered the secret of market survivability, but mastered it himself.Ĭreated in 2000, this kawaii duo have become two of Murakami's most important characters. DOB, invented to scorn the pretentious western hierarchy of fine art and consumerism, has now become one of Murakami's most covetable characters on the global art market and art world. ![]() DOB character, sold for £3.9million at Christie's in 2018. Murakami's Tan Tan Bo, a darker iteration of the Mr. After all, what may have started out as a mockery of western consumer culture has now become a commercialist mascot itself, fetching record-setting prices at auction. However, we can't ignore the irony of Mr. ![]() Derived from the Japanese slang phrase "dobojite" ("why?"), Murakami uses this character to highlight the futility and emptiness of consumer society. From cradle to grave, we are raised by cutesy mascots of capitalism like Mickey, and Murakami's Mr. ![]() DOB is a parody of Walt Disney's iconic character and the consumer culture the animated cartoon represents. DOB is his most repeated and recognisable character. Acknowledged as Murakami's altar-ego, Mr.
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